THURSDAY, 12th – 15:45

Reimagining Screenwriting, Film Hall, Chair: Charmaine Peters

Arezou Zalipour – Come Together: A Symbiosis of Culture, Dialogue, and Creativity in a Script-writing Practice as Research Case Study

Dave Jackson – Song & Screenplay

Katherine Chediak Putnam – When the Director Rewrites the Script: The Case of the Brazilian Feature Film ‘Perdida’

Virginia Pitts – ‘Lying Truly’ in Autofiction Screenwriting: Conversations with Memory

Language and Narrative, Theatre Hall, Chair: Rosanne Welch

Elisa Ricci – Adapting voices: Outlander from page to screen

Massimiliano Morandi – The symbol as a form of dialogue in the psychological thriller genre

Armando Fumagalli – Dialogue as action: two examples from Romantic Comedies

Juan Carlos Carrillo – A cinematographic Babel: variations of language in a same screenplay

Collaborative Vision, Large Auditorium, Chair: Paolo Russo

Phil Mathews – Sketching Feedback. The role of sketching and mark making as a tool within screenplay development

Paolo Braga – The art of pitching, in screenwriting and beyond

Juliet John – Visual Concept Development as a Form of Scripting

Innovative Structures in Screenwriting, Centre, Chair: Deborah Klika

Chris Neilan – No Alarms & No Surprises: A Modern History of the One-Act Feature Film

Steven Maras – Extending Conversations about the Script: The Discursive Construction of Screenwriting in Film Reviewing

Bart Nuyens – Transmedia Storytelling: A Micro-Level Case Study in Poetics