SATURDAY, 14th  – 13:30

Dissecting Screenwriting Discourse, Large Auditorium, Chair: Anna Weinstein

Lucian Georgescu – Extra muros: Theory from the Periphery

Andrea Hanáčková – Bridging the Gap: Screenwriting Adaptation in Podcasting

Matt Kirton – Tone and the Screenplay

Czech Narratives in Focus, Centre, Chair: Rafael Leal

Radomír D. Kokeš – The Role of the Multiple Plot Structure in the History of (Czech) Silent and Early Sound Popular Cinema?

Martin Kos – Copyright, Credits, and Conditions of Writing: Mediating Authorship from Screenwriters’ Perspective in the Czech Silent Cinema

Creative Dialogues, Film Hall, Chair: Maxine Gee

Shreya Gejji – Narrative interviews as a creative research method in screenwriting

Carina Böhm – Beyond my screenwriting self – A more-than-human exploration of the screenplay text

Pavlos Sifakis – In Dialogue with Reality: Redrafting the Short Screenplay to the Demands of Film Production

Rita Benis – Dialoguing with our masters: developing a script following what calls us (the proximity of an example).

Echoes of Influence, Theatre Hall, Chair: Gabriel Paletz

Oliver Gruner – “A Course of Non-Conformity”: Carole Eastman, Screenwriting Historiography and the New Hollywood

Brett Davies – Lawrence Kasdan on Storytelling: Excerpts and observations from an interview with Hollywood’s most successful screenwriter

Hugo Armando Arciniegas – Screenplays by Elvira de la Mora: Melodrama in the Golden Age of Mexican Cinema

Diego Sheinbaum – La Santa (Saint) of Orson Welles: Conversations between Mexican Melodrama and the Parodic Reflexive Tradition